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CHAPTERS
I. Franz Boas and George Hunt
History of Collaboration
Franz Boas
George Hunt
Making and Remaking the Book
II. Cultural Background
Kwakwaka’wakw Social and Ceremonial Organization
Copper
III. Early Fieldwork and Collections
Boas’s Approach to Anthropology
Lion-Type Masks
IV. 1893: Chicago World’s Fair
At the World’s Columbian Exposition
Ceremonial Belt
Frontlet
Wax Cylinder Recordings
From the Photographic Archive
V. 1894: Fort Rupert
Fieldwork in Fort Rupert
From Photographs to Bookplate
Masks
From Fieldnotes to Publication
From the Photographic Archive
VI. 1895-96: Preparing the Book
Preparing the Book in New York, Washington, and Fort Rupert
Producing the Hamat’sa Life Group
From Manuscript to Publication
Drawing
VII. Post 1897: Afterlives
Influence in the Museum
Reproducing the Life Group
Generations of a Hamat’sa
Settee Backrest
Influence in the Academy
VIII. Post 1897: Commercial Replicas
Commercial Replicas
Headdresses
Coppers
IX. Community Reproductions
Community Reproductions
Rattle
Transformation Mask
X. Repatriation
Repatriation
Power Board
XI. Behind the Scenes
The Boas/Hunt 1897 Critical Edition Project
“Opening the Story Box” Film
Insights from Scientific Analysis
Prototype for the Digital Critical Edition
References
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BROWSE EXHIBIT CONTENTS
Maps
Objects
Collectors
Media
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About the Exhibit
Exhibition Credits
U’mista Statement of Participation
Curatorial Dialogue
Installation Gallery
BGC Opening Ceremonies
Resources
Home
Media
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Media
From the Photographic Archive
Wax Cylinder Recordings
Producing the Hamat’sa Life Group
Generations of a Hamat’sa
BGC Opening Ceremonies
“Opening the Story Box” Film
Digital Critical Edition
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