Lace and the Embroidery Industry in St. Gallen, ca. 1880–1930

At the beginning of the nineteenth century, the eastern Swiss town of St. Gallen was the trading center for a local rural industry in which many women hand-embroidered cotton fabrics destined primarily for export. By the mid-1840s, hand-embroidery machines enabled the simultaneous production of multiple stitched motifs, greatly increasing output. Within a decade, St. Gallen was exporting large quantities of machine embroidery throughout Europe and, after the end of the American Civil War, to the United States.

Left:
Swatch with floral motif and handwritten document, “Experiment in Embroidering Lace”
St. Gallen, Switzerland
ca. 1875
Cotton and ink on paper
Textilmuseum St. Gallen, Gift of Ernst Iklé, 1930, 30743
Photo: Michael Rast
Right:
Samples of cutout lace and machine-made openwork with geometric and floral motifs
St. Gallen, Switzerland
ca. 1878
Cotton
Textilmuseum St. Gallen, Gift of Ernst Iklé, 1930, 30750
Photo: Michael Rast

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Click Images to Enlarge

Top:
Swatch with floral motif and handwritten document, “Experiment in Embroidering Lace”
St. Gallen, Switzerland
ca. 1875
Cotton and ink on paper
Textilmuseum St. Gallen, Gift of Ernst Iklé, 1930, 30743
Photo: Michael Rast
Bottom:
Samples of cutout lace and machine-made openwork with geometric and floral motifs
St. Gallen, Switzerland
ca. 1878
Cotton
Textilmuseum St. Gallen, Gift of Ernst Iklé, 1930, 30750
Photo: Michael Rast

The first machine-made goods were simple white embroideries with small patterns used for lingerie and household linens. By the 1870s, more complex designs and openwork textiles were available. Then, at the beginning of the 1880s, the first “chemical lace” appeared on the European market. This technique involved using a chemical bath to dissolve the base fabric following the execution of a machine-embroidered pattern, resulting in a lacelike textile that successfully imitated handmade lace.

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Book with chemical-lace samples
Wetter Frères
St. Gallen, Switzerland
1881–82
Cardboard, paper, and cotton
Bischoff Textil AG, Hufenus Collection
Photo: Michael Rast

Thanks to these technological advancements, the embroidery and lace industries in the area expanded significantly. Manufacturers in eastern Switzerland competed with similar companies in the nearby region of Vorarlberg, Austria, and in Plauen, Germany, but by 1910, St. Gallen was the world leader for machine-embroidered products.

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Book with chemical-lace samples imitating reticella needle lace
Iklé Frères & Co. (1864–1931)
St. Gallen, Switzerland
1900–30
Paper, cardboard, leather, and cotton
Textilmuseum St. Gallen, STI IKL 4
Photo: Michael Rast

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Reticella needle-lace border with rosettes and festoons
Western Europe
1590–1620
Linen
Textilmuseum St. Gallen, Gift of Leopold Iklé, 1905, 00935
Photo: Michael Rast

Chemical Lace in Fashion

In the late nineteenth and early twentieth centuries, Paris couturiers began purchasing the sophisticated chemical laces produced in St. Gallen and incorporating them into their creations. Other European and American fashion designers quickly followed suit. To meet growing demand, St. Gallen embroidery manufacturers regularly debuted new patterns for fashionable dress, experimenting with materials and colors and drawing inspiration from contemporary stylistic influences such as Art Nouveau and Japonisme.

Chemical-lace galloon (a type of trimming) samples with multicolored floral and leaf motifs
Fritz Rau & Co. (1892–2012)
St. Gallen, Switzerland
ca. 1920
Cotton
Textilmuseum St. Gallen, 55035
Photo: Michael Rast

Prestigious events and venues like the racetrack provided the perfect opportunity for elegant society women and fashion house models to showcase the latest trends. Photographs and illustrations in fashion magazines then spread these modes to a wider female audience. Prior to World War I, dresses, undergarments, and accessories were all richly embellished with lace and embroidery. This decorative extravagance gave way to more practical clothing when consumer desire for luxuries decreased due to the war, and the machine embroidery industry in St. Gallen experienced a severe crisis. Thousands of embroidery machines were scrapped as manufacturers pivoted to focus on other facets of textile production or gave up the textile business altogether.

Chemical-lace galloon (a type of trimming) samples with multicolored floral and leaf motifs
Fritz Rau & Co. (1892–2012)
St. Gallen, Switzerland
ca. 1920
Cotton
Textilmuseum St. Gallen, 55035
Photo: Michael Rast

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Woman wearing a skirt made from Fritz Rau & Co. chemical lace at the Grand Prix de Paris
Paris
1920
Photograph with inscription in ink
Textilmuseum St. Gallen, 55440
Photo: Michael Rast

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Chemical-lace insert with appliqués of stylized bellflowers and point de gaze elements
Otto Alder & Co. (1874–1924)
St. Gallen, Switzerland
1904
Cotton
Textilmuseum St. Gallen, Acquired from Otto Alder, 1931, 30128
Photo: Michael Rast