Image courtesy of Henry Halem.

Henry Halem

Henry Halem (1938– ) began working with glass in 1968 while serving as Harvey Littleton’s assistant at the University of Wisconsin-Madison. Trained as a ceramist, Halem earned his BFA from the Rhode Island School of Design in 1960 and his MFA from George Washington University in 1968. In 1969, Halem joined the faculty of Kent State University and founded its glass program. He remained at Kent State for almost thirty years. Halem is one of the founders of the Glass Art Society and served as its first president.

Works

Bowl, 1974. Blown milk glass with glass powder overlay. Image courtesy of Henry Halem.

Deco, 2012. Vitrolite glass cut and assembled on a Vitrolite backing. Image courtesy of Henry Halem.

Futuristic Goblet, 2010. Vitrolite glass cut and assembled on a Vitrolite backing. Image courtesy of Henry Halem.

Henry Halem discusses how he first began working for Harvey Littleton.

Playing2:45 Transcript
Henry Halem

Henry Halem discusses working for Harvey Littleton. Oral history interview with Henry Halem by Catherine Whalen and Barb Elam, conducted via telephone, June 3, 2018, Bard Graduate Center. Clip length: 02:45.

Henry Halem: I think I had just turned 30, and I needed a job. So I went to see Harvey Littleton, who was the head of the art department at the University of Wisconsin [Madison]. I knew nothing about glass, and I knew him as a potter, and actually he knew me as a potter, cause I had made a small reputation showing in New York and so on with my clay work. It was fairly successful. I was considered kind of one of the young Turks, I assume. But in any event, he hired me as his assistant. He asked me if I knew anything about glass, I said, ‘No, I don’t.’ And he said, ‘Well, no one else does either, but you know your way around a studio, you know how to build stuff, et cetera, et cetera.’ So I became Littleton’s assistant, and one of my jobs was to work in the glass studio as his assistant—cleaning it, and just doing stuff. And I watched these guys blow glass and so on, and I said, ‘Eh—let me give a try at that.’ So Harvey never really taught, he just kinda showed up every Wednesday and said a few things and left. And that’s basically how I got my introduction to glass; and what happened was, the end of the story is, at some point in 1968, the telephone rang and they were looking for—Kent State University [Kent, Ohio] had called, and they asked if there’s anyone that had any experience with ceramics and glass, and if there was, ‘Would you have them call the school? Would you post the notification of the job availability on the bulletin board or whatever at the university so that we could possibly interview people?’ It was the only school they called because it was the only school that had glass in the country. And someone at Kent State University was interested in starting glass. So in all honesty I never really posted anything. The next day I called up and said, ‘I noticed [laughs] on the bulletin board there’s a job available for someone in ceramics and glass. I’d like to apply for that job.’ Which I did and I got the job, and stayed here 30 years. So that’s how I got into glass.

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Henry Halem discusses learning how to build furnaces on his own.

Playing1:27 Transcript
Henry Halem

Henry Halem discusses learning how to build furnaces. Oral history interview with Henry Halem by Catherine Whalen and Barb Elam, conducted via telephone, June 3, 2018, Bard Graduate Center. Clip length: 01:27.

Henry Halem: And so we were all very friendly, and we would all get together with this organization called the Glass Arts Society, which I helped found, and we shared what we knew. And that’s how we started to grow. It was not only about making art or glass or what have you, but how to build furnaces and so on. And I was very good with the furnace building because I came out of this ceramic background, and had actually made a living for a short time building kilns, roll out kilns for potters. And I did that for a while, and then when I went with Harvey [Littleton] I built his furnaces for a while, and then when I got my job I started building furnaces here and would demonstrate to people how to build a furnace, albeit they were very crude. And Nick [Dominick] Labino was very important in that because he showed me some tricks, he lived down the road from me, and I would go visit him, and he showed me how to make this crazy little three-way articulated door for a furnace. And so that’s how things grew. We just kinda taught each other. I mean, there was really nobody showing us anything. I mean Harvey didn’t really know much, and we passed him as far as techniques were concerned very quickly.

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Bibliography

Writings by Paul Hollister Bibliography

“Henry Halem Paints a Glass Picture.” Collector Editions 8, no. 3 (Summer 1980): 30–32.

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“Henry Halem: Die Fläche ist die Botschaft / The Plane Is the Message.” Neues Glas, no. 4 (1982): 189–94.

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