Works Cited A–E
  • Adang, Lisa. “Untitled Project: A Cross-Disciplinary Investigation of JODI’s Untitled Game.” Rhizome, 2013. Investigation-of-JODI%E2%80%99sUntitled-Game_1.pdf; accessed June 29, 2015.
  • Anderson, Simon. “Fluxus: Early Years and Close Correspondences.” Master’s thesis, Royal College of Art, London, 1983.
  • Asselberghs, Herman. “Beyond the Appearance of Imagelessness: Preliminary Notes on Zen for Film’s Enchanted Materialism,” Afterall (Autumn/Winter 2009), accessed December 22, 2014,
  • Blom, Ina. “Boredom and Oblivion.” In The Fluxus Reader, edited by Ken Friedman, 63–90. Chichester, UK: Academy Editions, 1998.
  • Brecht, George. Chance Imagery (New York: Something Else Press, 1957; reprinted in 1966).
  • ——– “Project in Multiple Dimensions, 1957–58.” In Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, edited by Kristine Stiles and Peter Howard Selz, 333. Berkeley: University of California Press, 2012 (1996).
  • Cage, John. “Experimental Music,”(1957) in Silence: Lectures and Writing, edited by John Cage and Kyle Gann. Middletown: Wesleyan University Press, 2011.
  • ——– Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1973.
  • Conrad, Tony, and Brian Duguid. “Interview with Tony Conrad.” EST Web, June 1996;; accessed June 27, 2015.
  • Dezeuze, Anna. The ‘Do-it-yourself’ Artwork: Participation from Fluxus to New Media. Manchester: Manchester University Press; New York: Distributed in the United States by Palgrave Macmillan, 2010.
  • Dixon, Wheeler W. The Exploding Eye; A Re-Visionary History of 1960s American Experimental Cinema. Albany: State University of New York Press, 1997.
  • Doris, David. “Zen Vaudeville. A Medi(t)ation in the Margins of Fluxus.” In Ken Friedman, The Fluxus Reader, 91–135. Chichester, UK: Academy Editions, 1998.
  • Elwes, Catherine.Video Art: A Guided Tour. London: I. B. Tauris, 2005.

Works Cited A-E |Works Cited F-M |Works Cited N-Z