Ganesh, early 19th century
Unknown maker, Benares, India
Marble, pigment, and gilt, 11 3/8 × 5 1/2 × 20 1/8 in. (29 × 14 × 51.3 cm)
Conserved, 2001
Courtesy American Museum of Natural History, Division of Anthropology, New York City, gift of Miss T. Wilbour, 70.0/377

This representation of Ganesh—the god of new beginnings and good luck, and the remover of obstacles and doubt—was originally meant to be worshiped through the practice of puja (leaving offerings of incense, flowers, or food). Hindu devotees consider figures such as these to be vessels for the deity’s spirit. After the figure has been activated by priests, it is believed to be alive. However, once damaged, it is no longer a worthy vessel and is disposed of by being immersed in water.

If this figure met such a fate, could one consider its presence in a museum as its afterlife, in which it is now enlivened through interactions with visitors? How might you connect with Ganesh?