About the Gallery Exhibition

Exhibition installation photography by Bruce M. White.

Majolica Mania: Transatlantic Pottery in England and the United States, 1850–1915 has been organized by Bard Graduate Center Gallery and the Walters Art Museum, Baltimore.

The exhibition was curated by Susan Weber, Founder and Director, Bard Graduate Center, and Jo Briggs, Jennie Walters Delano Associate Curator of 18th- and 19th-Century Art, Walters Art Museum.

Project directors: Earl Martin and Laura Microulis
Project researcher: Catherine Arbuthnott
Exhibition designer: David Harvey
Graphic designers: Laura Grey and Jocelyn Lau

Majolica Mania: Transatlantic Pottery in England and the United States, 1850–1915 is made possible by Deborah and Philip English, the Bernard Malberg Charitable Trust, the Abra and Jim Wilkin Fund, and the Gary Vikan Exhibition Fund, with generous support of Marilyn and Edward Flower, Amy Cole Griffin, Darci and Randy Iola, James and Carol Harkess, Maryanne H. Leckie, the Lee B. Anderson Memorial Foundation, the Thomas B. and Elizabeth M. Sheridan Foundation, Inc., the Robert Lehman Foundation, and the Women’s Committee of the Walters Art Museum, with additional support by Carolyn and Mark Brownawell, the Hilde Voss Eliasberg Fund for Exhibitions, Joseph Piropato, Ann Pyne, Lynn and Phil Rauch, George and Jennifer Reynolds, the Sherrill Foundation, Carol and George E. Warner, Michael and Karen Strawser / Strawser Auction Group, Laurie Wirth-Melliand and Richard Melliand, the Dr. Lee MacCormick Edwards Charitable Foundation, Drs. Elke C. and William G. Durden, Joan Stacke Graham, Wanda and Duane Matthes / Antiques from Trilogy, Robin and Andrew Schirrmeister, Karen and Mike Smith, William Blair and Co., and other generous donors to the Bard Graduate Center and the Walters Art Museum.

Special thanks to the Majolica International Society.