{"id":2867,"date":"2020-10-07T16:16:26","date_gmt":"2020-10-07T16:16:26","guid":{"rendered":"http:\/\/exhibitions.bgc.bard.edu\/eileengray\/?p=2867"},"modified":"2020-10-07T16:30:20","modified_gmt":"2020-10-07T16:30:20","slug":"opgg","status":"publish","type":"post","link":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/opgg\/","title":{"rendered":"Object Page Gallery guide"},"content":{"rendered":"
<\/a><\/div><\/div>
\"Photograph<\/span><\/div><\/div><\/div>

Eileen Gray (1878\u20131976)
\nFauteuil transat <\/i>(Transat armchair)<\/p><\/h2><\/div>

1926\u201329<\/em>
\nVarnished sycamore, nickel-plated steel, synthetic leather<\/em>
\nCentre Pompidou, Mus\u00e9e national d\u2019art moderne, Paris, Purchase, 1992, AM 1992-1-1<\/em><\/p>\n<\/div>

Like Gray\u2019s other Transat chairs, the version she designed for E 1027 is adapted to the space. It can be placed in the living room or on the terrace, because the black-coated canvas upholstery is designed to resist damage from the salt air of the Mediterranean and the rain.<\/p>\n<\/div><\/div><\/div>

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