ABOUT THIS PROJECT<\/h1><\/div>ABOUT THIS PROJECT<\/h4><\/div><\/div><\/div><\/div>This digital companion to the exhibition was conceived by Nina Stritzler-Levine. The website was developed by Jesse Merandy and Emma Cormack with design support from Kate DeWitt, Jocelyn Lau, and Hellyn Teng.<\/p>\n<\/div>
<\/div><\/div><\/div><\/div>Eileen Gray\u00a0<\/em>at Bard Graduate Center Gallery
\n<\/strong>February 29\u2013July 12, 2020<\/p>\nExhibition Curator<\/strong>: Clo\u00e9 Pitiot
\nProject Directors<\/strong>: Clo\u00e9 Pitiot and Nina Stritzler-Levine
\nProject Coordinator<\/strong>: Marianne Lamonaca
\nCuratorial and Editorial Assistants<\/strong>: Marine Bry and Emma Cormack
\nEducation and Public Programs<\/strong>: Olivia Kalin, Kristen Owens, Emily Reilly, and Carla Repice
\nExhibition Design<\/strong>: Ian Sullivan
\nGraphic Design<\/strong>: Kate DeWitt and Jocelyn Lau
\nDigital Media<\/strong>: Emma Cormack and Jesse Merandy
\nChief Preparator<\/strong>: Alex Gruen
\nSpecial thanks to our installation crew.
\nAdvisory Committee<\/strong>: Renaud Barr\u00e8s, Caroline Constant, Philippe Garner, Jennifer Goff<\/p>\n<\/div><\/div><\/div><\/div><\/div>Lenders to the Exhibition<\/strong><\/p>\nPeter Adam Collection
\nRenaud Barr\u00e8s Collection
\nCap Moderne
\nCentre Pompidou
\nCollection Paul Sch\u00e4rer
\nDiktats bookstore
\nGalerie Jacques De Vos
\nGalerie Anne-Sophie Duval
\nGalerie Peyroulet
\nGalerie Vallois
\nIrish Architectural Archive
\nKelly Gallery, New York
\nKravis Collection
\nMaryhill Museum of Art
\nMetropolitan Museum of Art
\nMus\u00e9e des Arts D\u00e9coratifs, Paris
\nMuseum of Modern Art, New York
\nNational Museum of Ireland
\nVirginia Museum of Fine Art<\/p>\n<\/div>
<\/div><\/div><\/div>Eileen Gray<\/i>\u00a0has been organized by Centre Pompidou, Paris, in collaboration with Bard Graduate Center.<\/p>\n
![](\"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/files\/2020\/04\/CENTRE-POMPIDOU-2-LOGO-ET-TYPO-DEUX-LIGNES-1.png\" "\\"CENTRE-POMPIDOU-2-LOGO-ET-TYPO-DEUX-LIGNES\\"")
<\/span><\/div><\/strong><\/p>\nSupport for the exhibition at Bard Graduate Center has been generously provided by Phillips\u00a0with\u00a0additional support from the Lily Auchincloss Foundation, the Selz Foundation, Edward Lee Cave, and the Graham Foundation for Advanced\u00a0Studies\u00a0in the Fine Arts.<\/p>\n
![](\"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/files\/2020\/04\/Phillips_Logo_2015.png\" "\\"Phillips_Logo_2015\\"")
<\/span><\/div> \u00a0 \u00a0 \u00a0 ![](\"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/files\/2020\/04\/Lily-logo-03.png\" "\\"Lily-logo-03\\"")
<\/span><\/div><\/b><\/p>\nThe exhibition has been\u00a0supported in part by an award from the National Endowment for the Arts.<\/p>\n
![](\"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/files\/2020\/04\/2018-LogoBW-Horizontal-transparent-august2019.png\" "\\"2018-LogoBW-Horizontal-transparent-august2019\\"")
<\/span><\/div><\/strong><\/p>\nThe exhibition\u00a0<\/i>has been made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.<\/p>\n
![](\"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/files\/2020\/04\/NYSCA-Logo-Black-1.png\" "\\"NYSCA")
<\/span><\/div><\/strong><\/p>\nSupport for the exhibition catalogue has been provided by\u00a0Elise Jaffe + Jeffrey Brown\u00a0and Furthermore: a program of the J.M. Kaplan Fund.<\/p>\n
![](\"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/files\/2020\/04\/Furthermore-logo-BW-1.png\" "\\"Furthermore-logo-BW\\"")
<\/span><\/div><\/strong><\/p>\nSpecial\u00a0thanks\u00a0<\/b>to the National Museum of Ireland, Dublin.<\/p>\n
![](\"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/files\/2020\/04\/NMIlogoBW-1.png\" "\\"NMIlogoB&W\\"")
<\/span><\/div><\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>IMAGE CREDITS<\/span><\/h3><\/div>Homepage<\/strong><\/span>
\nTop Left<\/strong>:\u00a0View of the south fa\u00e7ade of E 1027 from the sea, Roquebrune-Cap-Martin, unknown date. Silver gelatin print. Centre Pompidou, Biblioth\u00e8que Kandinsky, Paris. Fonds Eileen Gray. Photo: Guy Carrard.<\/span>
\nRop Right<\/strong>: Berenice Abbott (1898\u20131991). Portrait of Eileen Gray, 1926. Silver gelatin print. National Museum of Ireland, NMIEG 2000.200.<\/span><\/p>\nBard Graduate Center Gallery\u00a0Eileen Gray\u00a0<\/em>installation photos: Bruce White<\/span><\/p>\n“Learn” featured photo: Maria Baranova<\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-321","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/pages\/321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/comments?post=321"}],"version-history":[{"count":30,"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/pages\/321\/revisions"}],"predecessor-version":[{"id":1875,"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/pages\/321\/revisions\/1875"}],"wp:attachment":[{"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/media?parent=321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
ABOUT THIS PROJECT<\/h4><\/div><\/div><\/div><\/div>This digital companion to the exhibition was conceived by Nina Stritzler-Levine. The website was developed by Jesse Merandy and Emma Cormack with design support from Kate DeWitt, Jocelyn Lau, and Hellyn Teng.<\/p>\n<\/div>
<\/div><\/div><\/div><\/div>Eileen Gray\u00a0<\/em>at Bard Graduate Center Gallery
\n<\/strong>February 29\u2013July 12, 2020<\/p>\nExhibition Curator<\/strong>: Clo\u00e9 Pitiot
\nProject Directors<\/strong>: Clo\u00e9 Pitiot and Nina Stritzler-Levine
\nProject Coordinator<\/strong>: Marianne Lamonaca
\nCuratorial and Editorial Assistants<\/strong>: Marine Bry and Emma Cormack
\nEducation and Public Programs<\/strong>: Olivia Kalin, Kristen Owens, Emily Reilly, and Carla Repice
\nExhibition Design<\/strong>: Ian Sullivan
\nGraphic Design<\/strong>: Kate DeWitt and Jocelyn Lau
\nDigital Media<\/strong>: Emma Cormack and Jesse Merandy
\nChief Preparator<\/strong>: Alex Gruen
\nSpecial thanks to our installation crew.
\nAdvisory Committee<\/strong>: Renaud Barr\u00e8s, Caroline Constant, Philippe Garner, Jennifer Goff<\/p>\n<\/div><\/div><\/div><\/div><\/div>Lenders to the Exhibition<\/strong><\/p>\nPeter Adam Collection
\nRenaud Barr\u00e8s Collection
\nCap Moderne
\nCentre Pompidou
\nCollection Paul Sch\u00e4rer
\nDiktats bookstore
\nGalerie Jacques De Vos
\nGalerie Anne-Sophie Duval
\nGalerie Peyroulet
\nGalerie Vallois
\nIrish Architectural Archive
\nKelly Gallery, New York
\nKravis Collection
\nMaryhill Museum of Art
\nMetropolitan Museum of Art
\nMus\u00e9e des Arts D\u00e9coratifs, Paris
\nMuseum of Modern Art, New York
\nNational Museum of Ireland
\nVirginia Museum of Fine Art<\/p>\n<\/div>
<\/div><\/div><\/div>Eileen Gray<\/i>\u00a0has been organized by Centre Pompidou, Paris, in collaboration with Bard Graduate Center.<\/p>\n
<\/span><\/div><\/strong><\/p>\nSupport for the exhibition at Bard Graduate Center has been generously provided by Phillips\u00a0with\u00a0additional support from the Lily Auchincloss Foundation, the Selz Foundation, Edward Lee Cave, and the Graham Foundation for Advanced\u00a0Studies\u00a0in the Fine Arts.<\/p>\n
<\/span><\/div> \u00a0 \u00a0 \u00a0 <\/span><\/div><\/b><\/p>\nThe exhibition has been\u00a0supported in part by an award from the National Endowment for the Arts.<\/p>\n
<\/span><\/div><\/strong><\/p>\nThe exhibition\u00a0<\/i>has been made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.<\/p>\n
<\/span><\/div><\/strong><\/p>\nSupport for the exhibition catalogue has been provided by\u00a0Elise Jaffe + Jeffrey Brown\u00a0and Furthermore: a program of the J.M. Kaplan Fund.<\/p>\n
<\/span><\/div><\/strong><\/p>\nSpecial\u00a0thanks\u00a0<\/b>to the National Museum of Ireland, Dublin.<\/p>\n
<\/span><\/div><\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>IMAGE CREDITS<\/span><\/h3><\/div>Homepage<\/strong><\/span>
\nTop Left<\/strong>:\u00a0View of the south fa\u00e7ade of E 1027 from the sea, Roquebrune-Cap-Martin, unknown date. Silver gelatin print. Centre Pompidou, Biblioth\u00e8que Kandinsky, Paris. Fonds Eileen Gray. Photo: Guy Carrard.<\/span>
\nRop Right<\/strong>: Berenice Abbott (1898\u20131991). Portrait of Eileen Gray, 1926. Silver gelatin print. National Museum of Ireland, NMIEG 2000.200.<\/span><\/p>\nBard Graduate Center Gallery\u00a0Eileen Gray\u00a0<\/em>installation photos: Bruce White<\/span><\/p>\n“Learn” featured photo: Maria Baranova<\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-321","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/pages\/321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/comments?post=321"}],"version-history":[{"count":30,"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/pages\/321\/revisions"}],"predecessor-version":[{"id":1875,"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/pages\/321\/revisions\/1875"}],"wp:attachment":[{"href":"https:\/\/exhibitions.bgc.bard.edu\/eileengray\/wp-json\/wp\/v2\/media?parent=321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
This digital companion to the exhibition was conceived by Nina Stritzler-Levine. The website was developed by Jesse Merandy and Emma Cormack with design support from Kate DeWitt, Jocelyn Lau, and Hellyn Teng.<\/p>\n<\/div>
Eileen Gray\u00a0<\/em>at Bard Graduate Center Gallery Exhibition Curator<\/strong>: Clo\u00e9 Pitiot Lenders to the Exhibition<\/strong><\/p>\n Peter Adam Collection Eileen Gray<\/i>\u00a0has been organized by Centre Pompidou, Paris, in collaboration with Bard Graduate Center.<\/p>\n Support for the exhibition at Bard Graduate Center has been generously provided by Phillips\u00a0with\u00a0additional support from the Lily Auchincloss Foundation, the Selz Foundation, Edward Lee Cave, and the Graham Foundation for Advanced\u00a0Studies\u00a0in the Fine Arts.<\/p>\n The exhibition has been\u00a0supported in part by an award from the National Endowment for the Arts.<\/p>\n The exhibition\u00a0<\/i>has been made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.<\/p>\n Support for the exhibition catalogue has been provided by\u00a0Elise Jaffe + Jeffrey Brown\u00a0and Furthermore: a program of the J.M. Kaplan Fund.<\/p>\n Special\u00a0thanks\u00a0<\/b>to the National Museum of Ireland, Dublin.<\/p>\n Homepage<\/strong><\/span> Bard Graduate Center Gallery\u00a0Eileen Gray\u00a0<\/em>installation photos: Bruce White<\/span><\/p>\n “Learn” featured photo: Maria Baranova<\/span><\/span><\/p>\n<\/div>
\n<\/strong>February 29\u2013July 12, 2020<\/p>\n
\nProject Directors<\/strong>: Clo\u00e9 Pitiot and Nina Stritzler-Levine
\nProject Coordinator<\/strong>: Marianne Lamonaca
\nCuratorial and Editorial Assistants<\/strong>: Marine Bry and Emma Cormack
\nEducation and Public Programs<\/strong>: Olivia Kalin, Kristen Owens, Emily Reilly, and Carla Repice
\nExhibition Design<\/strong>: Ian Sullivan
\nGraphic Design<\/strong>: Kate DeWitt and Jocelyn Lau
\nDigital Media<\/strong>: Emma Cormack and Jesse Merandy
\nChief Preparator<\/strong>: Alex Gruen
\nSpecial thanks to our installation crew.
\nAdvisory Committee<\/strong>: Renaud Barr\u00e8s, Caroline Constant, Philippe Garner, Jennifer Goff<\/p>\n<\/div>
\nRenaud Barr\u00e8s Collection
\nCap Moderne
\nCentre Pompidou
\nCollection Paul Sch\u00e4rer
\nDiktats bookstore
\nGalerie Jacques De Vos
\nGalerie Anne-Sophie Duval
\nGalerie Peyroulet
\nGalerie Vallois
\nIrish Architectural Archive
\nKelly Gallery, New York
\nKravis Collection
\nMaryhill Museum of Art
\nMetropolitan Museum of Art
\nMus\u00e9e des Arts D\u00e9coratifs, Paris
\nMuseum of Modern Art, New York
\nNational Museum of Ireland
\nVirginia Museum of Fine Art<\/p>\n<\/div><\/span><\/div><\/strong><\/p>\n<\/span><\/div> \u00a0 \u00a0 \u00a0 <\/span><\/div><\/b><\/p>\n<\/span><\/div><\/strong><\/p>\n<\/span><\/div><\/strong><\/p>\n<\/span><\/div><\/strong><\/p>\n<\/span><\/div><\/strong><\/p>\n<\/div>IMAGE CREDITS<\/span><\/h3><\/div>
\nTop Left<\/strong>:\u00a0View of the south fa\u00e7ade of E 1027 from the sea, Roquebrune-Cap-Martin, unknown date. Silver gelatin print. Centre Pompidou, Biblioth\u00e8que Kandinsky, Paris. Fonds Eileen Gray. Photo: Guy Carrard.<\/span>
\nRop Right<\/strong>: Berenice Abbott (1898\u20131991). Portrait of Eileen Gray, 1926. Silver gelatin print. National Museum of Ireland, NMIEG 2000.200.<\/span><\/p>\n